Jazz Age (1919-1929)

Blease, Coleman Livingston

As governor, Blease emphasized individual freedom for whites and racism. He opposed government regulation, even if its purpose was to benefit the same mill workers to whom he appealed. He denounced an act to limit working hours for mill employees, believing it interfered with parents’ control over their children. He vetoed legislation to inspect factories for safety and health considerations, stating that a man ought to be able to work under any conditions he chose. He opposed compulsory education as an attempt to replace parents with “the paid agents of the State in the control of children,” and he vetoed four compulsory attendance bills while governor.

Boineau, Charles Evans, Jr

In early 1961 a vacancy occurred in the county’s S.C. House of Representatives delegation, requiring a special off-year election to fill the unexpired term. Although a Republican had not held a seat in the General Assembly since 1902, local party leaders moved quickly to recruit Boineau as their candidate. Boineau won handily with fifty-five percent of the vote. He ran strongest in white precincts in Columbia, while Joe Berry, his principal opponent, received disproportionate support from black precincts and in the county’s less urbanized areas.

Bouchillon, Christopher Allen

In November 1926 Chris returned to Atlanta for the first of six sessions for Columbia Records. His initial effort resulted in “Talking Blues” and “Hannah (Won’t You Open That Door),” both of which went on to become highly successful and widely copied numbers that sold nearly 100,000 copies. One of his 1927 recordings, “Born in Hard Luck”/“The Medicine Show,” also did quite well, racking up sales in excess of 40,000 at a time when anything that sold more than 20,000 copies could be considered a hit.

Bragg, Laura

In October 1920 Bragg was named director of the Charleston Museum and became the first woman in the country to hold such a position at a publicly supported museum. Soon thereafter she opened the museum to black patrons one afternoon a week. She continued the educational focus of the museum and added a children’s library and a reading room that lent books. These efforts were the forerunners of the Charleston Free Library, which opened in January 1931. She was both its trustee and its first librarian.

Man faces forward for a portrait. The man is wearing a suit with a designed traditional tie and also has a large mustache, and bushy eyebrows that stand out in the image.
Brawley, Benjamin Griffith

Brawley developed into a prolific writer, contributing works to such periodicals as Bookman, Dial, North American Review, Sewanee Review, and Reviewer. But it was in his writing and editing of books about the African American experience that he pioneered. While he was teaching at Morehouse in 1909, a student pleaded with him to write a textbook that would enable black students to learn something of the experiences and accomplishments of their own people. Four years later, in 1913, Macmillan published his book A Short History of the American Negro.

Brawley, Edward McKnight

The American Baptist Publication Society hired Brawley to perform missionary service among black South Carolinians. Although there were numerous black Baptist congregations statewide, Brawley found no existing state convention. Accordingly, in 1876 he organized the Colored Baptist Educational, Missionary, and Sunday School Convention. He went on to organize numerous local Sunday school programs throughout the state. A key ally in these endeavors was the Reverend Jacob Legare, pastor of the Morris Street Baptist Church in Charleston. Meanwhile, Brawley raised funds for Benedict College in Columbia, where he also served on the faculty.

Bristow, Gwen

Bristow’s natural storytelling ability, neatly devised and detailed plots, sharply drawn characters, telling eye for landscape and its detail, use of common sense, gift for dramatic effect, and emotional sincerity were the characteristics of her work that critics and reviewers singled out for praise. Margaret Wallace spoke of her “solid and versatile talent as a novelist.” The critic Susan Quinn Berneis claimed that Bristow’s greatest skill was reserved for “the unfolding of American history as displayed around the lives of the people who created it.” And Eugene Armfield remarked that she belonged “among those Southern novelists who [were] trying to interpret the South and its past in critical terms.”

Brodie, Laura

While Brodie was at Winthrop College during the late 1920s, her biology professor noticed her interest and called her to the attention of Howard K. Gloyd, a well-known herpetologist. Gloyd helped Brodie get a position at the University of Michigan Museum of Zoology, where there was an excellent program in herpetology under the direction of Alexander G. Ruthven. During her first year there she stayed with Frank N. Blanchard and his wife, and Blanchard taught her many of the procedures used by professional herpetologists. On trips back to her Leesville home she collected many specimens for the University of Michigan collection.

Go to Top